Making Their Mark

NEW YORK

Artworks left to right: Miriam Schapiro, Double Rose , 1978; Merikokeb Berhanu, Untitled LXXIII , 2021; Sonia Gomes, Sol Maior , 2023; Sonia Gomes, Artérias (série tela- corpo) , 2022; Françoise Grossen, Contact III , 1977; Elizabeth Murray, Jo — Artworks left to right: Miriam Schapiro, *Double Rose*, 1978; Merikokeb Berhanu, *Untitled LXXIII*, 2021; Sonia Gomes, *Sol Maior*, 2023; Sonia Gomes, *Artérias (série tela- corpo)*, 2022; Françoise Grossen, *Contact III*, 1977; Elizabeth Murray, *Joanne in the Canyon*, 1990-91

Artworks left to right: Emma Amos, Star , 1982; Allison Katz, The Other Side , 2021, Laura Owens, Untitled , 2016 — Artworks left to right: Emma Amos, *Star*, 1982; Allison Katz, *The Other Side*, 2021, Laura Owens, *Untitled*, 2016

Artworks left to right: Janet Sobel, Untitled , ca. 1946; Sarah Sze Crisscross , 2021 — Artworks left to right: Janet Sobel, *Untitled*, ca. 1946; Sarah Sze *Crisscross*, 2021

Artworks left to right: Joan Mitchell, Untitled , 1992; Mary Weatherford, Light Falling Like a Broken Chain; Paradise , 2021; Aria Dean, Little Island/Gut Punch , 2021 — Artworks left to right: Joan Mitchell, *Untitled*, 1992; Mary Weatherford, *Light Falling Like a Broken Chain; Paradise*, 2021; Aria Dean, *Little Island/Gut Punch*, 2021

Artworks left to right: Aria Dean, Little Island/Gut Punch , 2021; Lorna Simpson, Ice 11 . 2018; Joan Snyder, Untitled , 1974; Julie Mehretu, Among the Multitude VI , 2020-2022 — Artworks left to right: Aria Dean, *Little Island/Gut Punch*, 2021; Lorna Simpson, *Ice 11*. 2018; Joan Snyder, *Untitled*, 1974; Julie Mehretu, *Among the Multitude VI*, 2020-2022

Artworks left to right: Joan Snyder, Untitled , 1974; Aria Dean, Little Island/Gut Punch , 2021; Julie Mehretu, Among the Multitude VI , 2020-2022; Laura Owens, Untitled , 2016; Joan Mitchell, Untitled , 1992 — Artworks left to right: Joan Snyder, *Untitled*, 1974; Aria Dean, *Little Island/Gut Punch*, 2021; Julie Mehretu, *Among the Multitude VI*, 2020-2022; Laura Owens, *Untitled*, 2016; Joan Mitchell, *Untitled*, 1992

Artworks left to right: Pat Steir, For Philadelphia Three , 2013; Helen Pashgian, Untitled (orange) , 2009; Lynda Benglis, Baby Planet 1969; Jacqueline Humphries, [//] , 2014; Olga de Amaral, Alquimia Plata 6(B) , 1995; Jenny Holzer, TOP SECRE — Artworks left to right: Pat Steir, *For Philadelphia Three*, 2013; Helen Pashgian, *Untitled (orange)*, 2009; Lynda Benglis, *Baby Planet* 1969; Jacqueline Humphries, *[//]*, 2014; Olga de Amaral, *Alquimia Plata 6(B)*, 1995; Jenny Holzer, *TOP SECRET ENDGAME*, 2019; Andra Ursuţa, *Canopic Demijohn*, 2021

Artworks left to right: Olga de Amaral, Alquimia Plata 6(B) , 1995; Lynda Benglis, Baby Planet 1969; Jacqueline Humphries, [//] , 2014; Jenny Holzer, TOP SECRET ENDGAME , 2019; Andra Ursuţa, Canopic Demijohn , 2021, Helène Aylon, First Coral , — Artworks left to right: Olga de Amaral, *Alquimia Plata 6(B)*, 1995; Lynda Benglis, *Baby Planet* 1969; Jacqueline Humphries, *[//]*, 2014; Jenny Holzer, *TOP SECRET ENDGAME*, 2019; Andra Ursuţa, *Canopic Demijohn*, 2021, Helène Aylon, *First Coral*, 1970; Rosemarie Castoro, *Gentless (Brushstroke)*, 1972

Artworks left to right: Mary Corse, Untitled (White Grid, Horizontal Strokes) , 1969; Lenore Tawney, Inquisition , 1961; Pat Steir, For Philadelphia Three , 2013 — Artworks left to right: Mary Corse, *Untitled (White Grid, Horizontal Strokes)*, 1969; Lenore Tawney, *Inquisition*, 1961; Pat Steir, *For Philadelphia Three*, 2013

Artworks left to right: Amy Sillman, Radiator , 2021; Simone Leigh, Stick , 2019; Charline von Heyl, Dunesday , 2016; Charline von Heyl, Plato's Pharmacy , 2015; Rachel Jones, SMIIILLLLEEEE , 2021 — Artworks left to right: Amy Sillman,*Radiator*, 2021; Simone Leigh, *Stick*, 2019; Charline von Heyl, *Dunesday*, 2016; Charline von Heyl, *Plato's Pharmacy*, 2015; Rachel Jones, *SMIIILLLLEEEE*, 2021

Artworks left to right: Rachel Jones, SMIIILLLLEEEE , 2021; Carrie Moyer, Four Dreams In An Open Room , 2013; Simone Leigh, Stick , 2019; Jennifer Bartlett, At Sea , 1979 — Artworks left to right: Rachel Jones, *SMIIILLLLEEEE*, 2021; Carrie Moyer, *Four Dreams In An Open Room*, 2013; Simone Leigh, *Stick*, 2019; Jennifer Bartlett, *At Sea*, 1979

Artworks left to right: Carrie Moyer, Four Dreams In An Open Room , 2013; Jennifer Bartlett, At Sea , 1979; Simone Leigh, Stick , 2019 — Artworks left to right: Carrie Moyer, *Four Dreams In An Open Room*, 2013; Jennifer Bartlett, *At Sea*, 1979; Simone Leigh, *Stick*, 2019

Artworks left to right: Jennifer Bartlett, At Sea , 1979; Simone Leigh, Stick , 2019 — Artworks left to right: Jennifer Bartlett, *At Sea*, 1979; Simone Leigh, *Stick*, 2019

Artworks left to right: Jennifer Bartlett, At Sea , 1979; Simone Leigh, Stick , 2019; Amy Sillman, , 2021 — Artworks left to right: Jennifer Bartlett, *At Sea*, 1979; Simone Leigh, *Stick*, 2019; Amy Sillman, , 2021

Artworks left to right: Jutta Koether, Berlin Boogie #11 , 2021; Lucy Bingo, Pattern to Joseph’s Coat , ca. late 1960s; Jacqueline Humphries, [//] , 2014; Faith Ringgold, Window of the Wedding #3: Woman , 1974; Faith Ringgold, Window of the Weddi — Artworks left to right: Jutta Koether, *Berlin Boogie #11*, 2021; Lucy Bingo, *Pattern to Joseph’s Coat*, ca. late 1960s; Jacqueline Humphries, *[//]*, 2014; Faith Ringgold, *Window of the Wedding #3: Woman*, 1974; Faith Ringgold, Window of the Wedding #4: Man, 1974; Anicka Yi, *Ì§W†RRñ†0*, 2022

Artworks left to right: Mary Weatherford, Light Falling Like a Broken Chain; Paradise , 2021; Jutta Koether, Berlin Boogie #11 , 2021; Lucy Bingo, Pattern to Joseph’s Coat , ca. late 1960s; Jacqueline Humphries, [//] , 2014 — Artworks left to right: Mary Weatherford, *Light Falling Like a Broken Chain; Paradise*, 2021; Jutta Koether, *Berlin Boogie #11*, 2021; Lucy Bingo, *Pattern to Joseph’s Coat*, ca. late 1960s; Jacqueline Humphries, *[//]*, 2014

Artworks left to right: Charline von Heyl, Dunesday , 2016; Charline von Heyl, Plato's Pharmacy , 2015; Virginia Jaramillo, Infraction IV , 1970; Faith Ringgold, Window of the Wedding #3: Woman , 1974; Faith Ringgold, Window of the Wedding #4: Ma — Artworks left to right: Charline von Heyl, *Dunesday*, 2016; Charline von Heyl, *Plato's Pharmacy*, 2015; Virginia Jaramillo, *Infraction IV*, 1970; Faith Ringgold, *Window of the Wedding #3: Woman*, 1974; Faith Ringgold, Window of the Wedding #4: Man, 1974; Anicka Yi, *Ì§W†RRñ†0*, 2022; Laura Owens, *Untitled*, 2016; Jutta Koether, *Berlin Boogie #11*, 2021; Lucy Bingo, *Pattern to Joseph’s Coat*, ca. late 1960s

Artworks left to right: Mary Heilmann, San Francisco (Day) , 1990; Mary Heilmann, San Francisco (Night) , 1990; Faith Ringgold, Window of the Wedding #3: Woman , 1974; Faith Ringgold, Window of the Wedding #4: Man , 1974; Anicka Yi, Ì§W†RRñ†0 , 2 — Artworks left to right: Mary Heilmann, *San Francisco (Day)*, 1990; Mary Heilmann, *San Francisco (Night)*, 1990; Faith Ringgold, *Window of the Wedding #3: Woman*, 1974; Faith Ringgold, Window of the Wedding #4: Man, 1974; Anicka Yi, *Ì§W†RRñ†0*, 2022; Laura Owens, *Untitled*, 2016; Jutta Koether, *Berlin Boogie #11*, 2021; Lucy Bingo, *Pattern to Joseph’s Coat*, ca. late 1960s; Howardena Pindell, *Untitled #21*, 1978

Artworks left to right: Jacqueline Humphries, [//] , 2014; Mary Heilmann, San Francisco (Day) , 1990; Mary Heilmann, San Francisco (Night) , 1990 — Artworks left to right: Jacqueline Humphries, *[//]*, 2014; Mary Heilmann, *San Francisco (Day)*, 1990; Mary Heilmann, *San Francisco (Night)*, 1990

Artworks left to right: Christina Quarles, Meet in tha Middle , 2018; Joan Semmel, Horizons , 1981; Carol Bove, The Chevaliers , 2021; Maria Lassnig, Die grune Malerin (The Green Paintress) , 2000; Dana Schutz, Umbrella Man , 2017; Cecily Brown, — Artworks left to right: Christina Quarles, *Meet in tha Middle*, 2018; Joan Semmel, *Horizons*, 1981; Carol Bove, *The Chevaliers*, 2021; Maria Lassnig, *Die grune Malerin (The Green Paintress)*, 2000; Dana Schutz, *Umbrella Man*, 2017; Cecily Brown, *The Demon Menagerie*, 2019–20

Artworks left to right: Maria Lassnig, Die grune Malerin (The Green Paintress) , 2000; Dana Schutz, Umbrella Man , 2017; Cecily Brown, The Demon Menagerie , 2019–20; Jenna Gribbon, You, blinded by M , 2022; Sheree Hovesepian, Radio , 2022 — Artworks left to right: Maria Lassnig, *Die grune Malerin (The Green Paintress)*, 2000; Dana Schutz, *Umbrella Man*, 2017; Cecily Brown, *The Demon Menagerie*, 2019–20; Jenna Gribbon, *You, blinded by M, 2022; Sheree Hovesepian, *Radio*, 2022*

Artworks left to right: Tschabalala Self, Sisters, 2021; Firelei Báez, For Améthyste and Athénaïre (Exiled Muses Beyond Jean Luc Nancy’s Canon), Anacaonas, 2018; Lynette Yiadom-Boakye, Afterword, 2019

Artworks left to right: Jenna Gribbon, You, blinded by M, 2022; Barbara Chase-Riboud, Malcom X #17, 2016; Dana Schutz, Umbrella Man, 2017

Artworks left to right: Dana Schutz, Umbrella Man, 2017; Tau Lewis, Saint Mozelle in the Aphid Orgy, 2023; Françoise Grossen, Contact III, 1977; Tschabalala Self, Sisters, 2021

Artworks left to right: Barbara Chase-Riboud, Malcom X #17, 2016; Dana Schutz, Umbrella Man, 2017; Tau Lewis, Saint Mozelle in the Aphid Orgy, 2023; Françoise Grossen, Contact III, 1977; Tschabalala Self, Sisters, 2021

Artworks left to right: Barbara Chase-Riboud, Malcom X #17, 2016; Dana Schutz, Umbrella Man, 2017; Tau Lewis, Saint Mozelle in the Aphid Orgy, 2023; Françoise Grossen, Contact III, 1977; Tschabalala Self, Sisters, 2021

Artworks left to right: Elizabeth Murray, Joanne in the Canyon, 1990-91; Françoise Grossen, Contact III, 1977; Kay WalkingStick, Red Painting/Red Person, 1976; Naudline Pierre, A Timely Rescue, 2019-2020; Pinaree Sanpitak, The Body and The Gold Breast, 2021; Portia Zvavahera, Crying Belly, 2021

Artworks left to right: Naudline Pierre, A Timely Rescue, 2019-2020; Pinaree Sanpitak, The Body and The Gold Breast, 2021; Portia Zvavahera, Crying Belly, 2021; Tau Lewis, Saint Mozelle in the Aphid Orgy, 2023

Artworks left to right: Joyce Scott, Harriet's Quilt, 2016–22; Jadé Fadojutimi, Inside My Shell, 2018; Suzanne Jackson, Cut / Slip for Flowers, 2020

Artworks left to right: Sheila Hicks, Taxco, ca. 1970s; Miriam Schapiro, Double Rose, 1978; Merikokeb Berhanu, Untitled LXXIII, 2021; Sonia Gomes, Sol Maior, 2023; Sonia Gomes, Artérias (série tela- corpo), 2022

Artworks left to right: Elizabeth Talford Scott, Save the Babies, 2022; Jaune Quick-to-See Smith, In the Future Map, 2021; Kay WalkingStick, Red Painting/Red Person, 1976; Rose B. Simpson, Counterculture B, 2022; Joyce Scott, Harriet's Quilt, 2016–22

Artworks left to right: Jaune Quick-to-See Smith, In the Future Map, 2021; Kay WalkingStick, Red Painting/Red Person, 1976; Sherrie Levine, Chair Seat: 6, 1986; Rose B. Simpson, Counterculture B, 2022; Marcia Haifa, 176. December 1967 from the series Italian Paintings, 1967; Joyce Scott, Harriet's Quilt, 2016–22; Jadé Fadojutimi, Inside My Shell, 2018; Suzanne Jackson, Cut / Slip for Flowers, 2020

Artworks left to right: Marie Watt, Companion Species (First and Last), 2023; Tau Lewis, Saint Mozelle in the Aphid Orgy, 2023; Elizabeth Talford Scott, Save the Babies, 2022; Jaune Quick-to-See Smith, In the Future Map, 2021; Kay WalkingStick, Red Painting/Red Person, 1976; Rose B. Simpson, Counterculture B, 2022; Joyce Scott, Harriet's Quilt, 2016–22

$Artworks left to right: Virginia Jaramillo, Infraction IV , 1970; Marie Watt, Companion Species (First and Last) , 2023; Tau Lewis, Saint Mozelle in the Aphid Orgy , 2023; Mary Grigoriadis, Cotton Stockings , 1973$

Artworks left to right: Virginia Jaramillo, Infraction IV, 1970; Marie Watt, Companion Species (First and Last), 2023; Tau Lewis, Saint Mozelle in the Aphid Orgy, 2023; Mary Grigoriadis, Cotton Stockings, 1973

Artworks left to right: Marie Watt, Companion Species (First and Last), 2023; Zarina Hashimi, Tasbih, 2008; Tau Lewis, Saint Mozelle in the Aphid Orgy, 2023; Mary Grigoriadis, Cotton Stockings, 1973

Artworks left to right: Joyce Scott, Harriet's Quilt, 2016–22; Jadé Fadojutimi, Inside My Shell, 2018; Suzanne Jackson, Cut / Slip for Flowers, 2020; Magdalene Odundo, Untitled Vessel, Symmetrical Series, 2020; Ceramic works by Toshiko Takaezu; Judith Scott, Untitled, 1992; Kay Sekimachi, Amiyose, 1965

Artworks left to right: Trude Guermonprez, Untitled (Space Hanging), ca. 1965; Etel Annan, Untitled, 2015; Magdalene Odundo, Untitled Vessel, Symmetrical Series, 2020; Ceramic works by Toshiko Takaezu; Judith Scott, Untitled, 1992; Kay Sekimachi, Amiyose, 1965

$Artworks left to right: Charline von Heyl, Dunesday , 2016; Charline von Heyl, Plato's Pharmacy , 2015; Virginia Jaramillo, Infraction IV , 1970; Faith Ringgold, Window of the Wedding #3: Woman , 1974; Faith Ringgold, Window of the Wedding #4: Ma$

$Artworks left to right: Virginia Jaramillo, Infraction IV , 1970; Marie Watt, Companion Species (First and Last) , 2023; Tau Lewis, Saint Mozelle in the Aphid Orgy , 2023; Mary Grigoriadis, Cotton Stockings , 1973$

November 2, 2023—March 23, 2024
548 West 22nd Street, New York

Debuting in New York, the Shah Garg Foundation presented Making Their Mark, a major exhibition showcasing the works of more than 80 of the most significant women artists from the last eight decades.
Curated by Cecilia Alemani, Donald R. Mullen, Jr. Director & Chief Curator of High Line Art and Curator of the 59th International Art Exhibition at the Venice Biennale, the exhibition marked the first public viewing of the Shah Garg Collection: a groundbreaking body of work by women collected by Komal Shah and Gaurav Garg.
Making Their Mark champions the lives and work of women artists, bringing into vibrant relief their intergenerational relationships, formal and material breakthroughs, and historical impact. Through drawings, mixed media works, paintings, sculptures, and textile works, the artists of Making Their Mark rechart art history through their singular, iconic practices.

Checklist

Guide

Map

Exhibiting Artists

Etel Adnan Emma Amos Helène Aylon Jo Baer Firelei Báez Rina Banerjee Jennifer Bartlett Lynda Benglis Merikokeb Berhanu Carol Bove Andrea Bowers Cecily Brown Rosemarie Castoro Barbara Chase-Riboud Judy Chicago Mary Corse Olga de Amaral Aria Dean Jadé Fadojutimi Freedom Quilting Bee Sonia Gomes

Jenna Gribbon Mary Grigoriadis Françoise Grossen Trude Guermonprez Harmony Hammond Marcia Hafif Zarina Hashmi Mary Heilmann Sheila Hicks Jenny Holzer Sheree Hovsepian Jacqueline Humphries Suzanne Jackson Virginia Jaramillo Rachel Jones Allison Katz Jutta Koether Maria Lassnig Simone Leigh Sherrie Levine Tau Lewis

Julie Mehretu Joan Mitchell Carrie Moyer Elizabeth Murray Senga Nengudi Magdalene Odundo Laura Owens Helen Pashgian Qunnie Pettway Naudline Pierre Howardena Pindell Christina Quarles Faith Ringgold Veronica Ryan Pinaree Sanpitak Miriam Schapiro Dana Schutz Elizabeth Talford Scott Joyce J. Scott Judith Scott Kay Sekimachi

Tschabalala Self Joan Semmel Amy Sillman Lorna Simpson Rose B. Simpson Jaune Quick-to-See Smith Joan Snyder Janet Sobel Pat Steir Sarah Sze Toshiko Takaezu Lenore Tawney Anne Truitt Andra Ursuţa Charline von Heyl Kay WalkingStick Marie Watt Mary Weatherford Anicka Yi Lynette Yiadom-Boakye Portia Zvavahera

Talks

Watch artist conversations presented alongside Making Their Mark

Artists Howardena Pindell, Firelei Báez, and Tschabalala Self discuss monumentality and modernity in a conversation moderated by Glenn Adamson.

Artists Joan Semmel, Cecily Brown, and Jenna Gribbon discuss their work in a conversation moderated by Connie Butler, Director of MoMA PS1.

Artists Lorna Simpson and Sarah Sze discuss their work in a conversation moderated by Thelma Golden, Director of the Studio Museum in Harlem.

Artists Rina Banerjee, Andrea Bowers, and Rose B. Simpson discuss this work with Jasmine Wahi, Founder and Co-Director of Project for Empty Space.

Virtual Exhibition

Explore the New York presentation of Making Their Mark online via Matterport.

THE NEXT GENERATION

THE NEXT GENERATION

Alongside the New York presentation of Making Their Mark, the Shah Garg Foundation welcomed over 500 NYC students and 125+ teachers to the exhibition through a partnership with New York City Public Schools. Back in their classrooms, students created over 91 works for the student exhibition, Making Their Mark: The Next Generation.

Learn more

Making Their Mark

November 2, 2023—March 23, 2024548 West 22nd Street, New York

Debuting in New York, the Shah Garg Foundation presented Making Their Mark, a major exhibition showcasing the works of more than 80 of the most significant women artists from the last eight decades.

Exhibiting Artists

Talks

Virtual Exhibition

THE NEXT GENERATION

THE NEXT GENERATION THE NEXT GENERATION

November 2, 2023—March 23, 2024
548 West 22nd Street, New York

THE NEXT GENERATION